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Karz movie 2008
Karz movie 2008








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Karz movie 2008 watch online#

Yeh kaisa karz 2008 hindi movie watch onlineĭoodh ka karz hindi full movie watch online Karz the burden of truth 2002 hindi movie watch online Watch "Superstar" for Jugraj's fresh original take on Bollywood's dream factory and Kunal Khemu's sincere and warm performance as the wannabe and the star who share more than just a passing affinity with the Rams and Shyams of showbiz.Yeh kaisa karz full movie hindi watch online But we're also looking at a world where artificiality is not just a way of life and death. We watch the characters as spin-offs of Urmila Matondkar in "Rangeela", Shah Rukh Khan in "Om Shanti Om" and Rishi Kapoor in "Karz". The in-house humour pervades the plot without overwhelming the basic layering of storytelling. Jugraj constantly refers to Bollywood biggies from Amitabh Bachchan in "Deewaar" to Ayesh Jhulka in "Jo Jeeta Wohi Sikandar" to Salman Khan in "Andaz Apna Apna". Neither the humble wannabe nor the privileged producer's son are portrayed with cynicism so that when the personality transference between the two occurs unexpectedly, we aren't looking at a morality-play but a Bollywood take on Bollywood with the conventions turned on their head. But the sense of wonderment is well contained. "Superstar" represents the wry and slightly cynical view of the outsider peeping nervously and enviously into the glittery world of the entertainment industry. The affluent Khemu in a swimming pool with various bikini-clad blondes looks just too much like whoosh-fulfilment. There is a mildly stirring dimension of authenticity in Jugraj's narration as though Ram Gopal Varma's "Rangeela" had suddenly and happily mated with Farah Khan's "Om Shanti Om" to produce a film that takes us beyond the expected in pursuit of happiness that's got very little to do with celebrating the spirit of the double role.Īt times the glam-quotient required to make Bollywood's dream factory look believable is overly sham. Jugraj always leaves scope for subtleties. The background score by Sanjay Choudhary creates just a hint of melodrama before backing off.įully filmy? Yes, but not quite. The camera microscopes the son's dilemma as he must pretend to be a stranger before his bereaved parents. Watch out for the sequence where the junior-artiste poses as the star to visit his grieving parents. While keeping the narrative on a fun and frisky plane, Jugraj brings in moral and ethical issues in the second-half when the junior-artiste is forced to replace the guy from the affluent producer's family. Khemu has a director who also dares to dream the impossible. Happily, the special effects bringing the two Khemus together is not the only thing special in the narration. Not too many actors have carried out the double-role tradition with such casual aplomb. Not too many 20-something actors today can carry off the discomforting predicament of baring their soul through tight close-ups. Often, as in a critical pre-interval sequence when the plot takes a literal somersault, we see the two as the yin and yang, mirror images looking into one another's soul with disarming transparency. Khemu doesn't try to make the characters of Kunal and Karan different from each other. He brings to the two characters more than just a surface dissimilarity. This would be as good a time as any to state that Kunal Khemu, who plays the earnest junior artiste and the spoilt but still-decent producer's son who cannot value the gift of Bollywood like his more humble middle-class doppelganger, is a revelation. That he has set this feisty, funny and exhilarating fable of the prince and the super-prince (forget the pauper) in the film industry, is a happy occurrence that gives the narrative a zest to make in-house jokes without tripping over on its own cleverness. Rohit Jugraj tosses that coin into the air and lets it fall languorously and neatly to the ground. Most films about double roles simplify the moral lines to the extent that Ram and Shyam become figures on either sides of the coin. "The Prince and The Pauper" did it long before "Raja Aur Runk" and "Duplicate". You've seen films about doppelganger-transference where look-alikes cross the line into each other's realm of vision to exchange lives. It's not often that you come away from a film thinking, "Oh hell, this one is far better than I thought!" Original, vibrant, tongue-in-cheek and yet moving in its sincerity, "Superstar" acquires its power and energy purely from its maker's ability to infuse potentially hammy situations with a bristling believability.

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Karz movie 2008